Who we are
The Western Australian Fibre and Textile Association (WAFTA) was founded in 1995 and is a dynamic and progressive group with passion, enthusiasm and talent that reflects the growing interest and appreciation of textile and fibre art within the community.
WAFTA’s members include both established and emerging artists who between them employ a diverse range and combination of fibre and textile processes incorporating combinations of traditional, contemporary and experimental techniques. There is also an increasing crossover of textiles and other mediums, with glass, digital print, digital projection, ceramics, metal and the natural environment – to name but a few.
WAFTA’s objectives include increasing the understanding of the potential of fibre and textiles through exhibition, whilst encouraging the highest standard of design and craftsmanship.
What our members say
“Love the friendly vibe, website & Facebook updates. Great workshops being offered.. too.” Caitlin Stewart, WAFTA Member
“WAFTA is an excellent and always improving organization, striving for inclusiveness and professionalism” Peggy Lyon, WAFTA Member
“You all seem to be improving the WAFTA membership experience… :)” Liz Arnold, WAFTA member
WAFTA Facebook Feed
Step Up and Sit Down for WAFTA at the Craft Show: August 4, 5 & 6
wafta.com.au
The Claremont Craft & Wood Show comes around again. WAFTA is again a presence on August 4, 5 and 6 and we would love you to come and sit with us at our stand. Take advantage of the ‘free entry’...If the CWA can do it, then we can too WAFTA.......
The West Australian - thewest.com.au
There has been a recent surge. of younger women joining the CWA.AIMEE LEE, Artist USA was our highly accomplished guest speaker at our July 18 meeting. Open this link to read the full review........
wafta.com.au
Along with our international guest speaker Aimee Lee, WAFTA is also pleased to welcome a Fibres West showcase table at the upcoming WAFTA meeting on July 18th. On display will be approximately 20 wond...
wafta.com.au
When emails such as these from our long time and now relocated member Joan Apel arrive in WAFTA’s inbox it is time for contemplation. We are very grateful for your involvement over the years and on ...Odine Lang Paper Sculpture (Wire and Japanese Paper)
indulgy.com/post/RJHoNFZyT1/odine-lang-paper-sculpture-wire-and-japanese-paper No Affiliation.
A good cause if anyone is interested.Any sewers wishing to learn how to sew our beautiful waterproof shields ?
We will hold a session on Wednesday 2 August. 10am
Please book by emailing pennyh@daysforgirls.org
Thanks
Saw this post by Betsy Greer, on Instagram today and I loved what she wrote with the photo below:
"I love this piece by @naomirag! I know there are people for and against yarnbombing as craftivism. But to me, it hits firmly at the heart of using your craft/art for activist purposes because it causes a shift, however slight, in focus. And that's what using creative protest does, it causes you to notice.
And if you can get someone to notice, you might get them to think, which puts the wheels in motion to act. It cuts through the noise visually by virtue of being different and unique and in the case of craft and art, often beautiful and handmade. With craft having the added bonus of being attached to all sorts of feel good messages in our cultural memory, it further entices people to entice, to ask, to connect. No, you do not have to be loud, or even necessarily political, to make a difference.
Artist below - Follow both Betsy Greer and Naomirag on Instagram.
N A O M I R A G Street Artist & Fiber Artist Coloring up the neighborhood of East Harlem, New York www.naomirag.wordpress.com
These are pretty in every way......
Incredible Knitted Moths Could Go in a Natural History Museum
creators.vice.com
Max Alexander turns Shetland wool into scientifically accurate depictions of various moth species.The irony of making moths from wool.
This could be a textile piece!Central Park, New York
Lets do it
Central Park .... well worth immortalising in textiles 😁
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